The controversy over the Jauhar sequence in Sanjay Leela Bhansali’s ‘Padmaavat’ has resurfaced after Swara Bhasker questioned its depiction. Prakash Kapadia, who co-wrote the interval drama with Sanjay Leela Bhansali, has now defended the filmmakers’ method.Prakash Kapadia mentioned the group based mostly the movie on analysis and historic sources. He maintained that the controversial sequence mirrored the circumstances of the interval portrayed within the film. “We made the movie in line with our analysis and what’s written in historical past books,” Kapadia mentioned whereas talking to the Hindustan Occasions. The author additionally pressured that viewers can interpret a movie in numerous methods. Nonetheless, he mentioned the Jauhar sequence represented the tough realities confronted throughout that interval. “Each particular person interprets the movie in a different way. What we confirmed, together with the jauhar scene, was the truth of these instances; it can’t be modified now. The state of affairs was that of ‘do or die’. Woh log (the male warriors) kesariya kar ke utare thhe.”
Prakash Kapadia defends the Jauhar depiction
Prakash Kapadia’s feedback come amid renewed criticism of how Jauhar was introduced in ‘Padmaavat’. Swara Bhasker had described the portrayal as problematic, resulting in discussions across the movie’s therapy of historical past. Prakash Kapadia mentioned he had not been carefully following Swara Bhasker’s feedback. He additionally instructed that folks method films with totally different expectations and attitudes.He added, “It is dependent upon the particular person’s temper; even when it’s movie and also you watch it with a nasty way of thinking, you can find it bekaar. It’s additionally about intention; whether or not you’re going as a viewer, or watching it to search out one thing controversial, or to search out negativity… With Padmaavat, folks had raised objections even earlier than watching the movie and had protested on the streets. The identical dialog is constant years later, so what can I say? Let folks say what they need to.“
What does Kesariya imply?
Prakash Kapadia additionally referred to the observe of male warriors carrying saffron earlier than coming into battles they had been unlikely to outlive. This custom is usually related to Rajput warfare and is named Kesariya. The observe represented a remaining battle in circumstances the place victory was thought-about inconceivable. The boys would enter fight ready to combat till loss of life. The Jauhar sequence in ‘Padmaavat’ was introduced alongside this historic context. Prakash Kapadia argued that such parts had been a part of the truth the filmmakers had been making an attempt to painting.
‘Padmaavat’ confronted controversy earlier than launch
‘Padmaavat’ was surrounded by controversy lengthy earlier than its theatrical launch. A number of teams raised objections to the film throughout its manufacturing and earlier than audiences may watch the completed movie. Protests had been held in numerous components of the nation. The controversy centered on the movie’s portrayal of Rajput historical past and its central characters. Regardless of the disputes, ‘Padmaavat’ finally reached cinemas in 2018. The film starred Deepika Padukone as Rani Padmavati, Shahid Kapoor as Maharawal Ratan Singh and Ranveer Singh as Alauddin Khilji. The movie was impressed by Malik Muhammad Jayasi’s Sixteenth-century epic poem ‘Padmavat’.
Prakash Kapadia’s affiliation with historic movies
Prakash Kapadia has labored extensively on movies that draw from historical past and mythology. His writing credit embrace Sanjay Leela Bhansali’s ‘Bajirao Mastani’ and ‘Padmaavat’. He was additionally related to ‘Tanhaji: The Unsung Warrior’ and ‘Gangubai Kathiawadi’. Prakash Kapadia’s newest screenwriting mission is the 2026 journey drama ‘Krishnavataram – Half 1: The Coronary heart’.
