Dil Chahta Hai@25: ‘Didn’t Know We Were Making A Cult Film’

Farhan Akhtar’s directorial debut, Dil Chahta Hai, which launched 25 years in the past, redefined male bonding in Hindi cinema, transferring away from the normal macho template to supply a refreshing and breezy tackle friendship, turning into a timeless basic.

Aamir Khan, Saif Ali Khan and Akshaye Khanna

IMAGE: Aamir Khan, Saif Ali Khan and Akshaye Khanna in Dil Chahta Hai.

Key Factors

  • Launched on August 10, 2001, Dil Chahta Hai marked Farhan Akhtar’s directorial debut and redefined male bonding in mainstream Hindi cinema.
  • The movie, starring Aamir Khan, Akshaye Khanna, and Saif Ali Khan, explored the complexities of friendship amongst three males with distinct approaches to life and love.
  • Cinematographer Ravi Okay Chandran selected Dil Chahta Hai over Devdas, aiming for a ‘actual, fashionable, and younger’ visible type, significantly evident within the iconic Goa sequences.

 

Twenty-five years in the past, three younger males modified the macho template that was until then the staple of Hindi cinema to provide us Dil Chahta Hai, a refreshing, breezy tackle male bonding not centred on romance.

Farhan Akhtar was solely 27 when he made his directorial debut with the movie that launched on August 10, 2001.

The movie, the primary mission of Farhan and his pal Ritesh Sidhwani’s manufacturing banner Excel Leisure, stars Aamir Khan, Akshaye Khanna, Saif Ali Khan, Preity Zinta, Dimple Kapadia and Sonali Kulkarni.

‘It had common enchantment, in contrast to these movies which appealed extra to NRIs than to Indians’

Aamir Khan and Preity Zinta in Dil Chahta Hai

IMAGE: Aamir Khan and Preity Zinta in Dil Chahta Hai.

At its coronary heart is the friendship between the three males who method life and love in markedly alternative ways — Akash, cynical and commitment-averse, Sameer, sporting his coronary heart on his sleeve, and Sid, the introspective artist who channels his feelings into his work and his relationship with an older lady.

Their variations gave the friendship its texture, permitting the movie to discover not simply the enjoyment of being younger but additionally the inevitable friction that comes when associates start selecting completely different paths.

“It had common enchantment, in contrast to these movies which appealed extra to NRIs than to Indians. You realize, the frequent Indian, even when he was city, might relate to the characters, the conditions, the best way the movie was offered, the music, the lyrics, and the appears to be like,” movie historian S M M Ausaja tells PTI.

He views the movie as path-breaking movie for a number of causes.

“Every thing had a novelty worth and a relatability with the viewers. In order that connection has continued as a result of the fundamental parts of emotion have been intact… the look, the texture, and the styling have been different-and refreshingly completely different.”

‘It did not comply with any method’

Saif Ali Khan and Sonali Kulkarni in Dil Chahta Hai

IMAGE: Saif Ali Khan and Sonali Kulkarni in Dil Chahta Hai.

It was all packaged in a conversational screenplay, a peppy soundtrack by Shankar-Ehsaan-Loy, with lyrics by Javed Akhtar and considerate costume designing.

“It did not comply with any method. There have been modifications in varied features of filmmaking… It was a really mature narrative. Each aspect — the feelings, the conditions, and the completely different relationships — was dealt with with such care and honesty that the whole lot got here out so properly,” stated Ausaja.

Farhan, who introduced ahead his movie at a time mainstream Hindi cinema was nonetheless dominated by the larger-than-life, melodramatic movies of the Nineteen Nineties, stated even assembling three stars for the movie proved to be a monumental process.

“Everybody stated, ‘I do not wish to do a multi-hero movie’ … On the time, everybody wished to do a love triangle… For me, the core of the movie was about friendship and I would not have two guys combating over a lady,” he informed The Juggernaut.

Sonali Kulkarni, who performed Pooja, Sameer’s love curiosity, stated the movie is her id and “large welcome in industrial cinema”.

“A few of them might have had an concept however I used to be completely naive about it. I did not know we have been making a cult movie, a milestone. And the success simply introduced a lot pleasure and heartwarming feeling from the viewers.”

‘I bear in mind they even referred to as me to approve Aamir Khan’s haircut’

Dimple Kapadia and Akshaye Khanna in Dil Chahta Hai

IMAGE: Dimple Kapadia and Akshaye Khanna Dil Chahta Hai.

Dil Chahta Hai was shot in another way from a lot of mainstream Hindi cinema of the interval. Filmed on location in Mumbai, Goa and Australia, it used up to date manufacturing design, trend and places to create a recognisably city world. Cinematographer Ravi Okay Chandran recalled that he had signed Sanjay Leela Bhansali’s Devdas, however as an alternative selected to work on Dil Chahta Hai.

“There was one thing about this story that attracted me, so I stated sure. Excel Leisure was making its first movie. Farhan was a younger filmmaker, and I used to be in all probability the oldest member of the crew, together with Nakul Kamte, the sound designer. The remainder of the crew was extremely younger,” Chandran informed PTI.

Requested about Farhan’s imaginative and prescient, the cinematographer stated the filmmaker merely informed him, “I wish to preserve it actual, fashionable, and younger. There was no Google again then, no simple method of amassing references. So we weren’t attempting to mimic something. Every thing we created was an authentic visible type developed particularly for this story.

“I bear in mind they even referred to as me to approve Aamir Khan’s haircut. They gave him the goatee and his new coiffure, and we shot take a look at images. This stuff have been very completely different from what I used to be used to within the South,” Chandran stated.

‘We consciously determined to not shoot it like the standard postcard model of Goa’

Aamir Khan, Akshaye Khanna and Saif Ali Khan in Dil Chahta Hai

IMAGE: Aamir Khan, Akshaye Khanna and Saif Ali Khan in Dil Chahta Hai.

What individuals nonetheless vividly bear in mind in regards to the movie is its Goa sequence, which captured the carefree spirit of friendship and the sense of discovery that outlined the movie.

From the trio’s street journey to the a lot remembered Chapora Fort sequence, the movie offered Goa not merely as a vacation vacation spot however as an area the place the characters might step away from their on a regular basis lives.

“We consciously determined to not shoot it like the standard postcard model of Goa. We wished the whole lot to really feel pure and candid. Even the street journey from Mumbai to Goa was shot in a really spontaneous method.

“Because it was an open-top automobile, I used to be the one one that might truly sit contained in the car with the actors whereas filming. That gave the scenes a really intimate and practical feeling,” Chandran remembered.

The movie’s soundtrack, composed by Shankar Mahadevan and his collaborators Ehsaan Noorani and Loy Mendonsa, with lyrics by Farhan’s father Javed Akhtar, grew to become inseparable from the movie’s id.

Songs reminiscent of Koi Kahe Kehta Rahe, Jaane Kyun, Woh Ladki Hai Kahan and Tanhayee, together with the title observe, grew to become immensely common.

“It was not our first mission, however Dil Chahta Hai gave us immense credibility, a powerful id, and a number of respect within the music business. We will by no means have sufficient phrases of gratitude for this movie,” Shankar, who additionally sang the title observe, informed PTI.

Akash, Sameer and Sid, 25 years later

Aamir Khan, Saif Ali Khan and Akshaye Khanna in Dil Chahta Hai

IMAGE: Aamir Khan, Saif Ali Khan and Akshaye Khanna in Dil Chahta Hai.

So what would Akash, Sameer and Sid be doing 25 years later?

In keeping with Farhan, the trio would nonetheless discover a approach to meet, at the same time as life will get busier for them. Recalling a second from a latest vacation, the filmmaker informed The Juggernaut, “I noticed these two males of their late 60s or 70s. They got here to this little seashore shack, sat at a desk that was reserved for them and ate ice cream sundaes collectively.”

“I believed it was essentially the most unimaginable factor. That is the place I see Akash, Sid and Sameer. I see them having a desk of their very own the place they at all times meet and have a chat and have some ice cream sundaes.”

Images curated by Manisha Kotian/Rediff

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