Credit score: David Gluchowski
On Aug. 12, a complete photo voltaic eclipse crossed Iceland and Spain — the primary time totality has touched European soil since 1999, and the primary time it’s crossed Iceland since 1954. Clouds spoiled the view for a lot of in Iceland, however skies cleared for eclipse chasers in Spain. There, totality fell virtually at sundown: some viewers watched the Solar dip beneath the horizon whereas the Moon nonetheless partially coated it. A partial eclipse was seen throughout a lot of Europe, western Africa, and components of japanese North America all through the night.
As at all times, our readers have been there to seize the second. Listed below are 14 of our favourite reader-submitted photographs of the 2026 photo voltaic eclipse.
The Solar’s corona blazes across the Moon’s silhouette throughout totality as pink prominences flare on the edges, as seen from Setiles, Spain. Photographer Radoslav Zboran captured the eclipse at a focal size of 600mm, telling Astronomy that seeing the eclipse by means of “such a decent crop was nothing wanting epic.” Zboran used a Canon 6D Mark II with a Sigma 150-600mm lens on an Artcise CT60C carbon fiber tripod.
A crescent Solar peeks by means of clouds throughout the partial photo voltaic eclipse as seen from Massachusetts. Rajat Kumar Pal says the clouds turned an already lovely sight right into a dramatic scene, evoking the Hindu legend of Rahu, the shadow being stated to devour the Solar throughout an eclipse. Pal took the picture with a Canon 6D Mark II at focal size of 500mm.
The Moon creeps throughout the Solar’s face throughout the partial part of the eclipse, with darkish filaments and vivid energetic areas seen throughout the photo voltaic floor. The photographer shot this picture from Michelberg in Decrease Austria, utilizing an Acuter 40mm/400mm telescope on an AZ-GTi mount paired with a ZWO ASI678MM digicam. He stacked and processed the consequence with FireCapture, AutoStakkert, RegiStax, and Affinity Photograph 2.
A sequence of photographs traces the eclipse from its early partial part by means of Baily’s beads and the diamond ring impact to full totality, photographed from La Coruña, Spain. Photographer Gianni Tumino captured the primary three partial-phase frames by means of an AstroSolar filter, then switched to an unfiltered lens for the ultimate 4 as totality approached. He shot the sequence with a Canon EOS R5 and a Canon RF 100-500mm zoom lens at 500mm, compositing the frames in Photoshop.
The Solar’s corona spreads in positive element across the Moon throughout totality, with a vivid pink prominence flaring on the decrease left. This second was captured from Valladolid, Spain, with the photographer calling the expertise of witnessing totality one which “stays with you for the remainder of your life.” He shot the picture with a Canon T3i and a 135mm M42 lens, bracketing exposures from 1/1600 to 1/2 second at f/5.6 and ISO 100, then stacked the outcomes to deliver out the corona and the prominences.
A partial photo voltaic eclipse dips into the tree-lined horizon at sundown, with a small sunspot seen on the photo voltaic disk. Giovanni Passalacqua caught the crescent Solar simply earlier than it slipped from view, framing the eclipse in opposition to the reddened night sky. He shot the picture from Ragusa, Sicily, with a Canon EOS R and a Sigma 600mm lens at f/8, 1/200 second, and ISO 100, then processed it in Photoshop.
A small slice of daylight emerges from behind the Moon as totality ends over Mirador El Toro, Majorca. Skinny streaks of clouds diffuse the corona’s glow. Photographer Jamie Cooper used a Canon EOS R8 on a tripod with a Canon 300mm f/2.8 lens and 2x extender for an efficient 600mm focal size, taking pictures at f/5.6, 1/1400 second, and ISO 8000.
The diamond ring flares over a darkened bell tower and cemetery within the village of Villarroane on the outskirts of León, Spain. Taken within the seconds earlier than totality, David Gluchowski’s picture makes use of a slim aperture to attract the Solar’s final sliver into a pointy starburst, framing the eclipse in opposition to the silhouette of the village church. He shot the one publicity with a Canon EOS R8 and a Canon EF 24-70mm lens.
What would an eclipse gallery be with no transit photograph? This photograph of the partial photo voltaic eclipse over Évora Monte in Portugal’s Alentejo area catches an airplane crossing the Solar’s disk. The photographer caught the possibility alignment with an Olympus OM-D E-M1 II and a 100-400mm lens at 400mm (800mm equal), utilizing an ND 100000 filter at f/8, ISO 100, and 1/500 second.
The Solar glides throughout the Spanish horizon on this strikingly symmetrical timelapse, every body marking a step of the eclipse, with twin diamond rings glowing on the composite’s middle. This picture was assembled by Alexandru Barbovschi from Bodega Hacienda Molleda vineyard close to Cariñena in Aragon, Spain. He shot the sequence with a Sony A7R IIIA and a Tamron 28-75mm lens at 72mm and f/8, utilizing a Baader AstroSolar ND5 filter for the partial phases and automatic timing with a Raspberry Pi operating Photo voltaic Eclipse Workbench.
A very eclipsed Solar glows above the darkened farmland of Migueláñez, Spain, as a small crowd appears to be like on in awe. Photographer Kevin Rosero captured this painterly panorama with a Samsung Galaxy S23 FE — no filter, no edits, no telescope — proof that totality’s chic surprise comes by means of even on a smartphone. He shot at f/1.8, ISO 1000, 1/24 second, and 23mm.
A ten-frame sequence traces Baily’s beads fading into darkness over 5 seconds as totality begins, seen from Chiloeches, Guadalajara, Spain. Pedro-Luis Cuadrado shot the sequence unfiltered with a Canon EOS 5D Mark III and a Canon 100-400mm L lens at 400mm, f/8, ISO 100, and 1/1600 second, on an untracked tripod.
A relatively massive and spectacular pink prominence was the star of totality throughout the eclipse, captured by photographers all alongside the trail. Joseph Caruana shared his view of the characteristic throughout totality from Canalejas de Peñafiel, Spain, exhibiting a wispy jet of plasma arcing past the Solar’s limb. He shot the photograph utilizing a Nikon Z8 and a Nikkor 180-600mm lens at 600mm, tracked with a Fornax LighTrack II mount.
A glowing crescent Solar descends over the ocean simply moments after totality close to Mirador El Toro, Majorca, its gentle rippling over the water as sailboats float beneath. Jamie Cooper caught this surreal second with a Canon EOS R8 on a tripod, utilizing a Canon 300mm f/2.8 lens with a 2x extender for an efficient 600mm focal size, at f/5.6, 1/125 second, and ISO 400.
